Årets avgangsutstilling fra Kunstakademiet i Tromsø virker preget av en omsorgsfull tilbaketrekning.
Biennials open in Moss and Örebro, profile updates for Den Frie and Kistefos Museum, and an artists’ housing project in Oslo may become reality.
The first edition of the Oslobiennalen opens, Ai Weiwei sues Danish car company, Saskia Neuman becomes director of Market Art Fair, and other news from the Nordic art field.
Ways of Seeing er politisk bevisstgjørende teater som retter blikket fra en utsatt posisjon mot en beskyttet og privilegert verden.
An open letter on cultural politics in Denmark, an honorary award from Oslo Open Art Festival, a record-breaking Hilma af Klint show, and other news from the Nordic art field.
The Danish Ministry of Culture introduces a new strategy to handle sexual harassment within art education, and other news from the Nordic art field.
Supermarket opens in Stockholm, a new residency programme gets under way in Denmark, and plans revealed for the inaugural exhibition at the new National Museum in Oslo.
Norwegian artists mobilise, the first comprehensive Greta Knutson-Tzara exhibition, and new initiatives in Copenhagen: a kunsthalle and yet another commercial art fair.
Debates on cultural politics in Denmark and Sweden, a five-year programme of art in public space in Oslo, and three Nordic artists represented in the Venice Biennial main exhibition.
Visual art events on International Women’s Day, nominees for the Norwegian Art Critics’ Prize announced, and a new masters program in curating and art criticism.
Two Nordic biennials reach their tenth editions, Louisiana has troubles with a Swiss sponsor, and there is “a real crisis” with regard to acquisitions in Norwegian museums.
Record visitor numbers leads to economic crisis at the Swedish National Museum and The World’s Northernmost Chinatown opens in Kirkenes.
– Kunstnere tager pulsen på deres samtid bare ved at gøre det, de gør, siger Julia Scher, som har lavet kunst om overvågning før internettet, som vi kender det, overhovedet eksisterede.
– Att ställa ut konst är en handling som skriver konsthistoria, framhåller danska Gitte Ørskou, som blir Moderna museets första kvinnliga chef sedan 1970-talet.
Pedro Gómez-Egañas installasjon i Operaen fortryller og gjør samtidig oppmerksom på bedraget. Om bare informasjonsalderens manipulasjoner var like enkle å synliggjøre.
I Per Svenssons utställning på Röda Sten blir alkemin en delvis ofullbordad modell för att tänka konsten i relation till livet, döden och friheten.
Kunstkritikk modtager støtte af
