Mariann Enge er ansvarlig redaktør for Kunstkritikk.
Mariann Enge is editor-in-chief of Kunstkritikk.
Ways of Seeing er politisk bevisstgjørende teater som retter blikket fra en utsatt posisjon mot en beskyttet og privilegert verden.
An open letter on cultural politics in Denmark, an honorary award from Oslo Open Art Festival, a record-breaking Hilma af Klint show, and other news from the Nordic art field.
The Danish Ministry of Culture introduces a new strategy to handle sexual harassment within art education, and other news from the Nordic art field.
Supermarket opens in Stockholm, a new residency programme gets under way in Denmark, and plans revealed for the inaugural exhibition at the new National Museum in Oslo.
Norwegian artists mobilise, the first comprehensive Greta Knutson-Tzara exhibition, and new initiatives in Copenhagen: a kunsthalle and yet another commercial art fair.
Debates on cultural politics in Denmark and Sweden, a five-year programme of art in public space in Oslo, and three Nordic artists represented in the Venice Biennial main exhibition.
Visual art events on International Women’s Day, nominees for the Norwegian Art Critics’ Prize announced, and a new masters program in curating and art criticism.
Two Nordic biennials reach their tenth editions, Louisiana has troubles with a Swiss sponsor, and there is “a real crisis” with regard to acquisitions in Norwegian museums.
Record visitor numbers leads to economic crisis at the Swedish National Museum and The World’s Northernmost Chinatown opens in Kirkenes.
A decrease in funding hits the art scene in the South of Sweden. In Oslo, seven galleries arrange a new art fair. And Kunstkritikk goes international.
Sweden’s new cultural minister says “creativity should flow freely,” and in Denmark there is new evidence of the museum sector’s contribution to society.
After a new government was formed in Sweden today, state museums will remain free of charge. Also in the news: An art plan for Oslo and Elmgreen & Dragset in The Simpsons.
Fremtiden ser veldig annerledes ut enn åpningsutstillingen til det nye museet PoMo i Trondheim.
Allt du behöver för att drömma när Valeria Montti Colque återskapar Chilenska Paviljongen i Stockholm.
Samuel Brzeski puster liv i den postsubkulturelle melankoli på Kunsthall 3,14 i Bergen.
– Timingen i forhold til de store prosjektene som KORO er involvert i for tiden har blitt tillagt stor vekt, sier konstituert direktør Øystein Strand.
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